Massenet manon dessay

massenet manon dessay

Manon - jules, massenet - 2007 ( berlin )

Dear friends and readers, tonight we went for the second time to the west End Cinema in georgetown, dc, to see and to hear another hd opera from Europe, this time massenets, manon out of one of my favorite eighteenth-century French novels, Prevosts, lHistoire. I enjoyed it very much, partly because i am, like many 18th century people (see. The history of the Pre-romantic novel ) a lover of Prevost. Prevosts, manon, even in an older English translation so riveted and moved me that I made it my business to read it in the original French, and then went on to read some of the larger novel in which it occurs (. Mémoires et aventures dun homme de qualité much of Prevosts finally tragic historical epic-romance, histoire de monsieur Cleveland, fils naturel de Cromwell, and then jean Sgards fat literary biography, prévost romancier. Prevost is one of the great writers of romance of any century. I felt that this opera and this specific production really captured much of the passionate despair, radical protest, and obsessive love of Prevosts roman noir texts. You might say this was a highly successful yet original film adaptation of a novel.

Massenet, manon -wien Staatsoper-Anna

Samuel Ramey, who is far beyond his vocal prime as le comte. Whilst he retains gravitas and a commitment to the text, there is such a wobble in his voice now that it is difficult to enjoy his singing. The other singers are efficient but make little impact. Victor Pablo pérez was unknown to me until this recording, but his conducting is largely very impressive. Not for nothing is this opera set in the eighteenth century: whilst Massenet provides lush Romantic orchestrations for the emotional climaxes, the score is also characterised by a lightness of touch, to which this conductor responds intelligently. Occasionally, more tension might help the onstage drama, but the. Liceu symphony Orchestra plays well throughout. On a point of presentation, i was surprised both by the lack of information in the two-page liner booklet, which amounts to little more than a cast list and doesn't even have a track listing (standard with Universal Classics' releases and the tedium of the. For reasons that are beyond me we are shown Natalie dessay getting out of the bath prop naked during a rehearsal, but there's little in the way of interviews or contextualisation and the hour-long film is pretty much focussed on Dessay and Villazón. A very mixed bag, then, which would not be my first hostel choice, but it's always a pleasure to encounter this oft-overlooked work. Natalie dessay and Rolando villazon sang acted Manon and her Chevalier with great aplomb.

They are neither physically nor vocally well matched, which seriously undermines the yardage motivation of the drama. Villazón experienced vocal difficulties during the run and announced a brief sabbatical from live performance soon afterwards, so it is perhaps no surprise that there are moments of slight discomfort, largely in the aria 'ah! But the tenor's passion is never in question, so that even when he oversings the final section of this number, it still has an impact. Furthermore, his gently restrained performance of 'En fermant les yeux' is genuinely heart-stopping, indeed the highlight of the recording for. So this Manon is not Villazón's finest hour, perhaps, but it does contain some of his finest minutes. The only fully reliable singing comes from. Manuel Lanza, an excellent Lescaut, but the rest of the cast is largely second rate.

massenet manon dessay

Dessay, jonas kaufmann, manon, saint Sulpice Scene live

Since the tiered backdrop is permanent, McCallin has to introduce props and screens to suggest all the different locations. This allows for great fluidity between scenes but serves the drama very badly in the more intimate moments. Clever camerawork almost makes up for it but it's hard not to wish parts that when Manon and Des Grieux make love on the floor, they were in a room rather than abandoned in the midst of a load of clutter. McCallin's costumes, however, are truly handsome. Perhaps it suits Dessay's approach to the character of Manon to play her write in a production where she is already portrayed as more multi-faceted than films of more traditional productions starring Renée fleming, beverley sills and Edita Gruberova might have us believe. She arrives at the beginning in an overcoat with long sleeves, gambolling about like a child, and later shows passion in the scene of Des Grieux's abduction, manipulation in the casino scene and resignation in the death scene, a dramatic trajectory which might appeal. However, dessay's performance leaves me totally cold, largely because she has neither the heart nor the dignity of any of her forebears mentioned above. Nor does she have their vocal ability: compare sills' tonally lustrous, soul-rending version of 'Adieu, notre petite table' with Dessay's vocally thin rendition on this dvd, or listen to the strained coloratura in the gavotte, and it's hard not to feel that Dessay's light soprano. Another problem with the production is that there appears to be little chemistry between Dessay and Rolando villazón in this, their first onstage encounter.

The dvd is disappointing for many reasons, however, and top of the list. David McVicar 's production, which was first seen at eno in the late 1990s. McVicar tries to present the opera both in period and as a contemporary drama, and in so doing falls between two stools in my opinion. The costumes are of the nineteenth century, but to make the piece grittier he has actors sitting on tiered seating at the back of the set, somewhat like spectators in a bullring. This has great potential for illustrating society's observation of the tortured relationship between Manon and Des Grieux, especially in light of the way they turn their back on the organised conventions of society, not least religion (an aspect which is justly emphasised in the production). But after a while it becomes very irritating to have the onstage audience applaud each number: one of the most contemporary things about this opera is its immediacy, but McVicar's emphasis of the artifice of conventions such as the ballet and vocal set pieces distances. It's also the case that society plays an active part in Manon's downfall, but here they seem too distanced from her to be involved in her fate. Tanya mcCallin 's designs aren't especially effective, either, though there seems no doubt that she was influenced by McVicar's view of how the opera should be presented.

Natalie, dessay, manon : gavotte "Suis-je gentille ainsi?" - live

massenet manon dessay

Dessay, manon - restons ici

Recorded in mono in 1955, the set fell at a unique point in the opera's history on disc. Previous recordings from the 78rpm era had captured the special Opéra-comique spirit for posterity, but. More, usually despatched in 4 - 5 working days. Despite some rough playing and crude sound, this 1955 version of Massenet's masterpiece is still the most stylish, due to de los Angeles's impeccable heroine, henri legay's ardent Des Grieux. More, usually despatched in 2 - 3 working days. It seems that barely a month kindergarten goes by without Virgin Classics releasing another recording.

Since november, we've had her on cd singing Amina in a complete version. La sonnambula, a baroque coupling of Bach's, magnificat and Handel's, dixit Dominus, and more recently a disc of Italian arias with a bonus dvd of her performance of the mad Scene from. Lucia di lammermoor filmed at the met in September. Virgin's investment in the French soprano continues with this new dvd of Massenet's steamy romantic opera. Manon, filmed at the Gran teatro del Liceu, barcelona, in June 2007. But as was the case with the cd of Italian arias, i find Dessay's voice entirely unsuited to the big nineteenth-century roles, so that despite her undoubted commitment to the performance, i find it difficult to be fully moved.

Entre lyrisme et ruptures, cest un perpétuel chassé-croisé dans léquilibre exquis de la sensualité qui baigne lopéra et la vigueur qui accompagne les sommets dramatiques. Des ovations pleinement justifiées saluent le chef et lorchestre ; si rolando villazon et surtout Natalie dessay lemportent largement au concours des vivats, cest tout le plateau réuni que le liceu a longuement fêté malgré la longueur du spectacle. Mention spéciale, dans ce spectacle si intelligent, à la chorégraphie conçue pour le ballet au cours la reine où des danseurs en équipage xviiie interprètent un pseudo ballet baroque sur le thème de la mort dActéon, avant quune bousculade consécutive au départ précipité de manon. Skip to main content 0 items, 0,00, in Act 1 Gheorghiu instantly establishes the heroine as a vivacious, wilful character with a great sense of fun and her singing is both imaginative and technically flawless. — penguin guide, 2011 edition. More, in stock, usually despatched within 1 working day.

In Act 1 Gheorghiu instantly establishes the heroine as a vivacious, wilful character with a great sense of fun and her singing is both imaginative and technically flawless. More, david caviar's production of Massenet's masterpiece is strong on period flavour It's strong, too, in the delineation and interaction of the two protagonists Dessay's Manon shines, not only. — bbc music Magazine, march 2008. In stock, usually despatched within 1 working day. Emi has had the good sense to build this set around Pappano's own company at la monnaie, a francophone group of singers who give an authentic flavour that non-French-speakers can't hope to match. — gramophone Classical Music guide, 2010. Netrebko is a real stage animal, constantly reacting to what is happening around her — opera. More, usually despatched in 8 - 10 working days.

Massenet / Rolando villazon & Natalie

Dans cet univers impitoyable où nulle hypocrisie ne vient adoucir la terrible réalité vers laquelle les appétits de manon et la faiblesse de des Grieux les entraînent, natalie dessay et Rolando villazon prêtent word à leurs personnages la générosité de leur engagement. Dominant le essays rôle mieux quà genève, jouissant dune santé vocale retrouvée, le temps et le travail ayant arrondi le centre et étoffé les graves, la soprano française est en passe de réussir brillamment son évolution vers le répertoire des sopranos lyriques. Favorisée par un physique qui rend crédible son incarnation dune très jeune fille, elle trouve la variété daccents propre à exprimer les élans primaires de cette cousine de la religieuse de diderot, qui veut tout et tout de suite et se débat ensuite dans ses. Le ténor mexicain semble ce soir-là avoir surmonté ses récentes difficultés vocales ; certes, plus dune fois, des sons très ouverts et des passages en force signalent que tout nest pas résolu, mais la voix ne se brise pas et le souffle a retrouvé sa longueur ;. Antoni bofill Autour de ces vedettes, une distribution très homogène, où les personnages ont du relief. A guillot déjà signalé ajoutons lélégant Brétigny de didier Henry, qui réussit à rendre sympathique un personnage assez discutable, et lexcellent Lescaut de manuel Lanza, entendu voici déjà longtemps dans la scala di seta : dans un français fort intelligible, il campe fermement le peu délicat. Bon trio de courtisanes, soldats, servante et aubergiste sonores, chœur vaillant mais parfois difficile à comprendre. A la tête de lensemble, victor Pablo pérez révèle dès louverture des affinités spéciales avec lécriture de massenet ; il obtient de lorchestre du liceu une souplesse et une réactivité qui donne à entendre tous les raffinements dune partition dont la musique typiquement fin xixe.

massenet manon dessay

Puis entre guillot - francisco vas - et nous voici dans lopéra. Il est vêtu de rouge et il claudique, ce corrupteur probablement impuissant ; sur ses talons les trois «dames de compagnie» en petite tenue, dénuées de pudeur donc et peut-être en vêtement de travail. Jusquà writing la fin du spectacle, la lecture de McVicar soumet loeuvre au laser qui décape les conventions. Virtuose de lanimation des foules, non seulement il compose et anime des images saisissantes dans leur beauté et leur pertinence, comme celles de larrivée du coche, qui laisse le spectateur aussi étourdi que manon, mais le tour de force est que ce grouillement toujours. Il faut évidemment attribuer aux éclairages et aux costumes la part qui leur revient dans cette réussite qui redonne vie aux gravures de hogarth, sans que la reconstitution ne soit gratuite. La «fête» sur le cours la reine en donne un nouvel exemple, avec la mère maquerelle qui passe et semble mettre à lencan ses «filles élément saisi au vol dans lenchevêtrement des détails et révélant crûment la nature mercantile du divertissement. Antoni bofill Cette recherche ne va-t-elle pas trop loin? On peut se le demander, lorsque lescaut embrasse sa cousine dune façon très équivoque, quand lalanguissement de manon sur la petite table semble dû à des évocations plus sexuelles que sentimentales ou devant lHôtel de Transylvanie dont lactivité de tripot nest quune des opportunités. Mais la cohérence de la vision et la beauté plastique emportent les réserves.

la fois grande table dauberge, piédestal où saffirmer, proscenium où sexhiber. Des sièges style régence, un mannequin de jardin revêtu dun costume féminin de la même époque, voilà pour les accessoires. Surplombant la scène de part et dautre, des portants soutiennent des batteries de projecteurs. Tandis que la salle se remplit, sur le plateau apparaissent des hommes et des femmes en habit xviii ème qui jettent des regards curieux sur le public tout en déambulant. Sagit-il de figurants appelés à jouer dans un opéra intitulé manon? Cet espace est-il celui dun théâtre où la représentation se prépare? Il deviendra tour à tour, grâce à quelques accessoires, les lieux divers prévus par laction, où des présences énigmatiques qui semblent pour certaines chercher à se dissimuler viennent parfois prolonger cette impression dune œuvre en répétitions à laquelle des personnes intéressées par le travail accompli. Antoni bofill puis la musique commence et un groupe se met à danser ; ces mouvements du corps, accordés aux changements de rythme, passant du délié à la cambrure et au saut, parlent déjà dinstabilité, dinsatisfaction.

Poussette, cristina Obregon, javotte, marisa martins, rosette, anna tobella. Lhôtelier, Lluis Sintes, choeur du Grand Théâtre du liceo. Direction, jose luis Basso, orchestre symphonique du Grand Théâtre du liceo. Direction musicale, victor Pablo pérez, barcelone, le, mcVicar au sommet de son art. Comment représenter Manon sans sombrer dans lillustration banale mais tout en étant fidèle au livret? Cette quadrature du cercle, la production proposée au liceu la résout avec brio. Cest le résultat conjugué de la conception conduite par david McVicar, de chanteurs qui sont aussi des acteurs et dune exécution orchestrale qui rend pleinement justice à la riche partition. Les spectateurs qui vont sinstaller à leur place découvrent le plateau offert à leurs regards. Le fond de scène est occupé par un immense trompe lœil, apparemment un rideau de scène, sous lequel une structure concave superpose plusieurs gradins, évoquant un amphithéâtre parts ou les galeries dun théâtre.

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Barcelone, antoni bofill, jules massenet (1842-1912 manon. Opéra comique en cinq actes, livret dHenri meilhac et Philippe gille. Daprès la nouvelle, business lHistoire du chevalier Des Grieux et de manon Lescaut de labbé Prévost, production basée sur loriginal de lEnglish National Opera de londres, En collaboration avec le Grand Théâtre du liceu et le lyric Opera de Chicago. Mise en scène, david McVicar, décors et costumes, tanya mcCallin, lumières, paule constable. Chorégraphie, michael kaegan-Dolan, manon Lescaut, natalie dessay, le chevalier des Grieux, rolando villazon. Le comte des Grieux, samuel Ramey. Lescaut, manuel Lanza, guillot de morfontaine, francisco vas, monsieur de Brétigny, didier Henry.

Massenet manon dessay
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  1. Hi there, thanks for the comment. So we've asked some of the top creatives to share what 2017 design trends they think will be headed our way. 1024 x 768 jpeg 219kB. Claims that the novel succeeds despite. The 2018 fifa world Cup is the 21st fifa world Cup, a quadrennial international football tournament contested by the men's national teams of the member associations of fifa. The latest resume 2018 Formats.

  2. L histoire de manon by macMillan, music by jules Massenet. Pidò, marco Art uro marelli natalie dessay (Amina javier Camarena (Elvino) Opéra bastille.

  3. Natalie dessay and Rolando villazon sang acted Manon and her. This time massenet s Manon out of one of my favorite eighteenth-century. Results 1 - 10. Natalie dessay (Manon rolando villazon (le chevalier de s Grieux samuel Ramey (le comte des Grieux manuel Lanza (Lescaut). Manon opéra comique en cinq actes. L ivret d henri meilhac et Philippe gille d après la nouvelle.

  4. M: Jules Massenet: Manon - gran teatre del Liceu 2007: Natalie dessay, ro lando villazon, samuel Ramey, manuel Lanza, victor Pabro pérez. Natalie dessay, rolando villazon, teatro del Liceu barcelona /Vic tor Pablo pérez (Virgin Classics). 24 February 2008 3 stars. Lyric Opera s 2008-09 season commenced with Massenet. Manon in the fascinating david McVicar production, originally designed for.

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